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[P764.Ebook] Free Ebook The Gene: An Intimate History, by Siddhartha Mukherjee

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The Gene: An Intimate History, by Siddhartha Mukherjee

The Gene: An Intimate History, by Siddhartha Mukherjee



The Gene: An Intimate History, by Siddhartha Mukherjee

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The Gene: An Intimate History, by Siddhartha Mukherjee

THE #1 NEW YORK TIMES BESTSELLER

From the Pulitzer Prize-winning, bestselling author of The Emperor of All Maladies—a magnificent history of the gene and a response to the defining question of the future: What becomes of being human when we learn to “read” and “write” our own genetic information?

Siddhartha Mukherjee has a written a biography of the gene as deft, brilliant, and illuminating as his extraordinarily successful biography of cancer. Weaving science, social history, and personal narrative to tell us the story of one of the most important conceptual breakthroughs of modern times, Mukherjee animates the quest to understand human heredity and its surprising influence on our lives, personalities, identities, fates, and choices.

Throughout the narrative, the story of Mukherjee’s own family—with its tragic and bewildering history of mental illness—cuts like a bright, red line, reminding us of the many questions that hang over our ability to translate the science of genetics from the laboratory to the real world. In superb prose and with an instinct for the dramatic scene, he describes the centuries of research and experimentation—from Aristotle and Pythagoras to Mendel and Darwin, from Boveri and Morgan to Crick, Watson and Franklin, all the way through the revolutionary twenty-first century innovators who mapped the human genome.

As The New Yorker said of The Emperor of All Maladies, “It’s hard to think of many books for a general audience that have rendered any area of modern science and technology with such intelligence, accessibility, and compassion…An extraordinary achievement.” Riveting, revelatory, and magisterial history of a scientific idea coming to life, and an essential preparation for the moral complexity introduced by our ability to create or “write” the human genome, The Gene is a must-read for everyone concerned about the definition and future of humanity. This is the most crucial science of our time, intimately explained by a master.

  • Sales Rank: #702 in Books
  • Published on: 2016-05-17
  • Released on: 2016-05-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.70" w x 6.12" l, .0 pounds
  • Binding: Hardcover
  • 608 pages

Amazon.com Review
An Amazon Best Book of May 2016: In 2010, Siddhartha Mukherjee was awarded the Pulitzer Prize for his book The Emperor of All Maladies, a “biography” of cancer. Here, he follows up with a biography of the gene—and The Gene is just as informative, wise, and well-written as that first book. Mukherjee opens with a survey of how the gene first came to be conceptualized and understood, taking us through the thoughts of Aristotle, Darwin, Mendel, Thomas Morgan, and others; he finishes the section with a look at the case of Carrie Buck (to whom the book is dedicated), who eventually was sterilized in 1927 in a famous American eugenics case. Carrie Buck’s sterilization comes as a warning that informs the rest of the book. This is what can happen when we start tinkering with this most personal science and misunderstand the ethical implications of those tinkerings. Through the rest of The Gene, Mukherjee clearly and skillfully illustrates how the science has grown so much more advanced and complicated since the 1920s—we are developing the capacity to directly manipulate the human genome—and how the ethical questions have also grown much more complicated. We could ask for no wiser, more fascinating and talented writer to guide us into the future of our human heredity than Siddhartha Mukherjee. --Chris Schluep

Review
"This is perhaps the greatest detective story ever told—a millennia-long search, led by a thousand explorers, from Aristotle to Mendel to Francis Collins, for the question marks at the center of every living cell. Like The Emperor of All Maladies, The Gene is prodigious, sweeping, and ultimately transcendent. If you’re interested in what it means to be human, today and in the tomorrows to come, you must read this book." (Anthony Doerr, author of All the Light We Cannot See)

"The Gene is a magnificent synthesis of the science of life, and forces all to confront the essence of that science as well as the ethical and philosophical challenges to our conception of what constitutes being human." (Paul Berg, winner of the Nobel Prize in Chemistry)

"Compelling... Highly recommended." (Booklist, starred review)

“Sobering, humbling, and extraordinarily rich reading from a wise and gifted writer who sees how far we have come—but how much farther far we have to go to understand our human nature and destiny.” (Kirkus, starred review)

"Mukherjee deftly relates the basic scientific facts about the way genes are believed to function, while making clear the aspects of genetics that remain unknown. He offers insight into both the scientific process and the sociology of science... By relating familial information, Mukherjee grounds the abstract in the personal to add power and poignancy to his excellent narrative." (Publishers Weekly, starred review)

“A magisterial account of how human minds have laboriously, ingeniously picked apart what makes us tick. . . . [The Gene] will confirm [Mukherjee] as our era’s preeminent popular historian of medicine. The Gene boats an even more ambitious sweep of human endeavor than its predecessor. . . . Mukherjee punctuates his encyclopedic investigations of collective and individual heritability, and our closing in on the genetic technologies that will transform how we will shape our own genome, with evocative personal anecdotes, deft literary allusions, wonderfully apt metaphors, and an irrepressible intellectual brio.” (Ben Dickinson, Elle)

“Magnificent…. The story [of the gene] has been told, piecemeal, in different ways, but never before with the scope and grandeur that Siddhartha Mukherjee brings to his new history… he views his subject panoptically, from a great and clarifying height, yet also intimately.” (James Gleick, New York Times Book Review)

“Many of the same qualities that made The Emperor of All Maladies so pleasurable are in full bloom in The Gene. The book is compassionate, tautly synthesized, packed with unfamiliar details about familiar people.” (Jennifer Senior, The New York Times)

“Mukherjee’s visceral and thought-provoking descriptions... clearly show what he is capable of, both as a writer and as a thinker.” (Matthew Cobb, Nature)

“His topic is compelling. . . . And it couldn’t have come at a better time.” (Courtney Humphries, Boston Globe)

"[Mukherjee] nourishes his dry topics into engaging reading, expresses abstract intellectual ideas through emotional stories . . . .[and] swaddles his medical rigor with rhapsodic tenderness, surprising vulnerability, and occasional flashes of pure poetry. . . . . With a marriage of architectural precision and luscious narrative, an eye for both the paradoxical detail and the unsettling irony, and a genius for locating the emotional truths buried in chemical abstractions, Mukherjee leaves you feeling as though you've just aced a college course for which you'd been afraid to register -- and enjoyed every minute of it." (Andrew Solomon, Washington Post)

“The Gene is equally authoritative [to Emperor], building on extensive research and erudition, and examining the Gordian knots of genes through the prism of his own family’s struggle with a disease. He renders complex science with a novelist’s skill for conjuring real lives, seismic events.” (Hamilton Cain, Minneapolis Star Tribune)

“A fascinating and often sobering history of how humans came to understand the roles of genes in making us who we are—and what our manipulation of those genes might mean for our future. . . . The Gene captures the scientific method—questioning, researching, hypothesizing, experimenting, analyzing—in all its messy, fumbling glory, corkscrewing its way to deeper understanding and new questions.” (Jim Higgins, Milwaukee Journal-Sentinel)

“This is an intimate history. . . . This is a meticulous history. . . . This is a provocative history. . . . Most of all, this is a readable history. . . . The Gene is a story that, once read, makes us far better educated to think about the profound questions that will confront us in the coming decades.” (Ron Krall, Steamboat Today)

“Reading The Gene is like taking a course from a brilliant and passionate professor who is just sure he can make you understand what he’s talking about. . . . The Gene is excellent preparation for all the quandaries to come.” (Mary Ann Gwinn, Seattle Times)

“Inspiring and tremendously evocative reading. . . . Like its predecessor, [The Gene] is both expansive and accessible . . . . In The Gene, Mukherjee spends most of his time looking into the past, and what he finds is consistently intriguing. But his sober warning about the future might be the book’s most important contribution.” (Kevin Canfield, San Francisco Chronicle)

“Destined to soar into the firmament of the year’s must reads, to win accolades and well-deserved prizes, and to set a new standard for lyrical science writing. . . . Dr. Siddhartha Mukherjee dazzled readers with his Pulitzer-winning The Emperor of All Maladies in 2010. That achievement was evidently just a warm-up for his virtuoso performance in The Gene: An Intimate History, in which he braids science, history, and memoir into an epic with all the range and biblical thunder of Paradise Lost. . . . Thanks to Dr. Mukherjee’s remarkably clear and compelling prose, the reader has a fighting chance of arriving at the story of today’s genetic manipulations with an actual understanding of both the immensely complicated science and the even more complicated moral questions.”  (Abigail Zuger, New York Times Science Section)

“[The Emperor of All Maladies and The Gene] both beautifully navigate a sea of complicated medical information in a way that is digestible, poignant, and engaging . . . . [The Gene] is a book we all should read. I shook my head countless times while devouring it, wondering how the author—a brilliant physician, scientist, writer, and Rhodes Scholar—could possibly possess so many unique talents. When I closed the book for the final time, I had the answer: Must be in the genes.” (Matt McCarthy, USA Today)

“A brilliant exploration of some of our age’s most important social issues, from poverty to mental illness to the death penalty, and a beautiful, profound meditation on the truly human forces that drive them. It is disturbing, insightful, and mesmerizing in equal measure.”  (Coastal Current)

“Dr Mukherjee uses personal experience to particularly good effect. . . . Perhaps the most powerful lesson of Dr Mukherjee’s book [is]: genetics is starting to reveal how much the human race has to gain from tinkering with its genome, but still has precious little to say about how much we might lose.”  (The Economist)

“As compelling and revealing as [The Emperor of All Maladies]. . . . On one level, The Gene is a comprehensive compendium of well-told stories with a human touch. But at a deeper level, the book is far more than a simple science history.” (Fred Bortz, Dalls Morning News)

“Mukherjee is an assured, polished wordsmith . . . who displays a penchant for the odd adroit aphorism and well-placed pun. . . . A well-written, accessible, and entertaining account of one of the most important of all scientific revolutions, one that is destined to have a fundamental impact on the lives of generations to come. The Gene is an important guide to that future.” (Robin McKie, The Guardian)

About the Author
Siddhartha Mukherjee is the author of The Emperor of All Maladies: A Biography of Cancer, winner of the 2011 Pulitzer Prize in general nonfiction, and The Laws of Medicine. He is the editor of Best Science Writing 2013. Mukherjee is an assistant professor of medicine at Columbia University and a cancer physician and researcher. A Rhodes scholar, he graduated from Stanford University, University of Oxford, and Harvard Medical School. He has published articles in Nature, The New England Journal of Medicine, The New York Times, and Cell. He lives in New York with his wife and daughters. Visit his website at: SiddharthaMukherjee.com

 

Most helpful customer reviews

188 of 201 people found the following review helpful.
"We used to think our future was in the stars. Now we know it's in our genes."
By Ash Jogalekar
Genetics is humanity and life writ large, and this book on the gene by physician and writer Siddhartha Mukherjee paints on a canvas as large as life itself. It deals with both the history of genetics and its applications in health and disease. It shows us that studying the gene not only holds the potential to transform the treatment of human disease and to feed the world’s burgeoning population, but promises to provide a window into life’s deepest secrets and into our very identity as human beings.

The volume benefits from Mukherjee’s elegant literary style, novelist’s eye for character sketches and expansive feel for human history. While there is ample explanation of the science, the focus is really on the brilliant human beings who made it all possible. The author’s own troubling family history of mental illness serves as a backdrop and keeps on rearing its head like a looming, unresolved question. The story begins with a trip to an asylum to see his troubled cousin; two of his uncles have also suffered from various "unravelings of the mind". This burden of personal inheritance sets the stage for many of the questions about nature, nurture and destiny asked in the pages that follow.

The book can roughly be divided into two parts. The first part is a sweeping and vivid history of genetics. The second half is a meditation on what studying the gene means for human biology and medicine.

The account is more or less chronological and this approach naturally serves the historical portion well. Mukherjee does a commendable job shedding light on the signal historical achievements of the men and women who deciphered the secret of life. Kicking off from the Greeks’ nebulous but intriguing ideas on heredity, the book settles on the genetics pioneer Gregor Mendel. Mendel was an abbot in a little known town in Central Europe whose pioneering experiments on pea plants provided the first window into the gene and evolution. He discovered that discrete traits could be transmitted in statistically predictable ways from one generation to next. Darwin came tantalizingly close to discovering Mendel’s ideas (the two were contemporaries), but inheritance was one of the few things he got wrong. Instead, a triumvirate of scientists rediscovered Mendel’s work almost thirty years after his death and spread the word far and wide. Mendel’s work shows us that genius can emerge from the most unlikely quarters; one wonders how rapidly his work might have been disseminated had the Internet been around.

The baton of the gene was next picked up by Francis Galton, Darwin’s cousin. Galton was the father of eugenics. Eugenics has now acquired a bad reputation, but Galton was a polymath who made important contributions to science by introducing statistics and measurements in the study of genetic differences. Many of the early eugenicists subscribed to the racial theories that were common in those days; many of them were well intended if patronizing, seeking to ‘improve the weak’, but they did not see the ominous slippery slope which they were on. Sadly their ideas fed into the unfortunate history of eugenics in America and Europe. Eugenics was enthusiastically supported in the United States; Mukherjee discusses the infamous Supreme Court case in which Oliver Wendell Holmes sanctioned the forced sterilization of an unfortunate woman named Carrie Buck by proclaiming, “Three generations of imbeciles are enough”. Another misuse of genetics was by Trofim Lysenko who tried to use Lamarck’s theories of acquired characteristics in doomed agricultural campaigns in Stalinist Russia; as an absurd example, he tried to “re educate” wheat using “shock therapy”. The horrific racial depredations of the Nazis which the narrative documents in some detail of course “put the ultimate mark of shame” on eugenics.

The book then moves on to Thomas Hunt Morgan’s very important experiments on fruit flies. Morgan and his colleagues found a potent tool to study gene propagation in naturally occurring mutations. Mutations in specific genes (for instance ones causing changes in eye color) allowed them to track the flow of genetic material through several generations. Not only did they make the crucial discovery that genes lie on chromosomes, but they also discovered that genes could be inherited (and also segregated) in groups rather than by themselves. Mukherjee also has an eye for historical detail; for example, right at the time that Morgan was experimenting on flies, Russia was experimenting with a bloody revolution. This coincidence gives Mukherjee an opening to discuss hemophilia in the Russian royal family – a genetically inherited disease. A parallel discussion talks about the fusion of Darwin's and Mendel’s ideas by Ronald Fisher, Theodosius Dobzhansky and others into a modern theory of genetics supported by statistical reasoning in the 40s – what’s called the Modern Synthesis.

Morgan and others’ work paved the way to recognizing that the gene is not just some abstract, ether-like ghost which transmits itself into the next generation but a material entity. That material entity was called DNA. The scientists most important for recognizing this fact were Frederick Griffiths and Oswald Avery and Mukherjee tells their story well; however I would have appreciated a fuller account of Friedrich Miescher who discovered DNA in pus bandages from soldiers. Griffiths showed that DNA can be responsible for converting non-virulent bacteria to virulent ones; Avery showed that it is a distinct molecule separate from protein (a lot of people believed that proteins with their functional significance were the hereditary material).

All these events set the stage for the golden age of molecular biology, the deciphering of the structure of DNA by James Watson (to whom the quote in the title is attributed), Francis Crick, Rosalind Franklin and others. Many of these pioneers were inspired by a little book by physicist Erwin Schrodinger which argued that the gene could be understood using precise principles of physics and chemistry; his arguments turned biology into a reductionist science. Mukherjee’s account of this seminal discovery is crisp and vivid. He documents Franklin’s struggles and unfair treatment as well as Watson and Crick’s do-what-it-takes attitude to use all possible information to crack the DNA puzzle. As a woman in a man’s establishment Franklin was in turn patronized and sidelined, but unlike Watson and Crick she was averse to building models and applying the principles of chemistry to the problem, two traits that were key to the duo’s success.

The structure of DNA of course inaugurated one of the most sparkling periods in the history of intellectual thought since it immediately suggested an exact mechanism for copying the hereditary material as well as a link between DNA and proteins which are the workhorses of life. The major thread following from DNA to protein was the cracking of the genetic code which specifies a correspondence between nucleotides on a gene and the amino acids of a protein: the guiding philosophers in this effort were Francis Crick and Sydney Brenner. A parallel thread follows the crucial work of the French biologists Francois Jacob and Jacques Monod - both of whom had fought in the French resistance during World War 2 - in establishing the mechanism of gene regulation. All these developments laid the foundation for our modern era of genetic engineering.

The book devotes a great deal of space to this foundation and does so with verve and authority. It talks about early efforts to sequence the gene at Harvard and Cambridge and describes the founding of Genentech, the first company to exploit the new technology which pioneered many uses of genes for producing drugs and hormones: much of this important work was done with phages, viruses which infect bacteria. There is also an important foray into using genetics to understand embryology and human development, a topic with ponderous implications for our future. With the new technology also came new moral issues, as exemplified by the 1975 Asilomar conference which tried to hammer out agreements for the responsible use of genetic engineering. I am glad Mukherjee emphasizes these events, since their importance is only going to grow as genetic technology becomes more widespread and accessible.

These early efforts exploded on to the stage when the Human Genome Project (HGP) was announced, and that’s where the first part of the book roughly ends. Beginning with the HGP, the second part mainly focuses on the medical history and implications of the gene. Mukherjee’s discussion of the HGP focuses mainly on the rivalries between the scientists and the competing efforts led by Francis Collins of the NIH and Craig Venter, the maverick scientist who broke off and started his own company. This discussion is somewhat brief but it culminates in the announcement of the map of the human genome at the White House in 2000. It is clear now that this “map” was no more than a listing of components; we still have to understand what the components mean. Part of that lake of ignorance was revealed by the discovery of so-called ‘epigenetic’ elements that modify not the basic sequence of DNA but the way it’s expressed. Epigenetics is an as yet ill-understood mix of gene and environment which the book describes in some detail. It’s worth noting that Mukherjee’s discussion of epigenetics has faced some criticism lately, especially based on his article on the topic in the New Yorker.

The book then talks about early successes in correlating genes with illness that came with the advent of the human genome and epigenome; genetics has been very useful in finding determinants and drugs for diseases like sickle cell anemia, childhood leukemia, breast cancer and cystic fibrosis. Mukherjee especially has an excellent account of Nancy Wexler, the discoverer of the gene causing Huntington’s disease, whose search for its origins led her to families stricken with the malady in remote parts of Venezuela. While such diseases have clear genetic determinants, as Mukherjee expounds upon at length, genetic causes for diseases like cancer, diabetes and especially the mental illness which plagues members of the author’s family are woefully ill-understood, largely because they are multifactorial and suffer from weakly correlated markers. We have a long way to go before the majority of human diseases can be treated using gene-based treatment. In its latter half the book also describes attempts to link genes to homosexuality, race, IQ, temperament and gender identity. The basic verdict is that while there is undoubtedly a genetic component to all these factors, the complex interplay between genes and environment means that it’s very difficult currently to tease apart influences from the two. More research is clearly needed.

The last part of the book focuses on some cutting edge research on genetics that’s uncovering both potent tools for precise gene engineering as well as deep insights into human evolution. A notable section of the book is devoted to the recent discovery that Neanderthals and humans most likely interbred. Transgenic organisms, stem cells and gene therapy also get a healthy review, and the author talks about successes and failures in these areas (an account of a gene therapy trial gone wrong is poignant and rattling) as well as ethical and political questions which they raise. Finally, a new technology called CRISPR which has taken the world of science by storm gets an honorary mention: by promising to edit and propagate genes with unprecedented precision - even in the germ line - CRISPR has resurrected all the angels and demons from the history of genetics. What we decide about technologies like CRISPR today will impact what our children do tomorrow. The clock is ticking.

In a project as ambitious as this there are bound to be a few gaps. Some of the gaps left me a bit befuddled though. There are a few minor scientific infelicities: for instance Linus Pauling’s structure of DNA was not really flawed because of a lack of magnesium ions but mainly because it sported a form of the phosphate groups that wouldn’t exist at the marginally alkaline pH of the human body. The book’s treatment of the genetic code leaves out some key exciting moments, such as when a scientific bombshell from biochemist Marshall Nirenberg disrupted a major meeting in the former Soviet Union. I also kept wondering how any discussion of DNA’s history could omit the famous Meselson-Stahl experiment; this experiment which very elegantly illuminated the central feature of DNA replication has been called “the most beautiful experiment in biology”. Similarly I could see no mention of Barbara McClintock whose experiments on ‘jumping genes’ were critical in understanding how genes can be turned on and off. I was also surprised to find few details on a technique called PCR without which modern genetic research would be virtually impossible: both PCR and its inventor Kary Mullis have a colorful history that would have been worth including. Similarly, details of cutting-edge sequencing techniques which have outpaced Moore’s Law are also largely omitted. I understand that a 600 page history cannot include every single scientific detail, but some of these omissions seem to me to be too important to be left out.

More broadly, there is no discussion of the pros and cons of using DNA to convict criminals: that would have made for a compelling human interest story. Nor is there much exploration of using gene sequences to illuminate the ‘tree of life’ which Darwin tantalizingly pulled the veil back on: in general I would have appreciated a bigger discussion of how DNA connects us to all living creatures. There are likewise no accounts of some of the fascinating applications of DNA in archaeological investigations. Finally, and this is not his fault, the author suffers from the natural disadvantage of not being able to interview many of the pioneers of molecular biology since they aren’t around any more (fortunately, Horace Freeland Judson’s superb “The Eighth Day of Creation” fills this gap: Judson got to interview almost every one of them for his book). This makes his account of science sound a bit more linear than the messy, human process that it is.

The volume ends by contemplating some philosophical questions: What are the moral and societal implications of being able to engineer genomes even in the fetal stage? How do we control the evils to which genetic technology can be put? What is natural and what isn’t in the age of the artificial gene? How do we balance the relentless, almost inevitable pace of science with the human quest for responsible conduct, dignity and equality? Mukherjee leaves us with a picture of these questions as well as one of his family and their shared burden of mental illness: a mirage searching for realization, a sea of questions looking for a tiny boat filled with answers.

Overall I found “The Gene: An Intimate History” to be beautifully written with a literary flair, and in spite of the omissions, the parts of genetic history and medicine which it does discuss are important and instructive. Its human stories are poignant, its lessons for the future pregnant with pitfalls and possibilities. Its sweeping profile of life’s innermost secrets could not help but remind me of a Japanese proverb quoted by physicist Richard Feynman: “To every man is given the key to the gates of heaven. The same key opens the gates of hell.” The gene is the ultimate key of this kind, and Mukherjee’s book explores its fine contours in all their glory and tragedy. We have a choice in deciding which of these contours we want to follow.

28 of 28 people found the following review helpful.
The author's biggest success is in weaving a beautiful narrative. Starting with the emotionally-charged personal links to ...
By NJ
Gene is a must-read history book on genetics. Many accounts have been penned on Relativity and Quantum Mechanics, for instance, to make their importance known to the non-professionals. Gene fills the void for the equally important science of Genetics.

The author's biggest success is in weaving a beautiful narrative. Starting with the emotionally-charged personal links to the field to the frequent detailing of personalities of or anecdotes involving famous scientists, the subject is kept 'human'. There are abundant scientific notions to satisfy any reader picking up the book to understand the real subject matter, but not in the general bland fashion of studies-and-conclusions that tend to lose many a lay people.

The book also excels because of the simplicity with which countless exotic concepts are explained. From the notions of introns and exons to the polygenic nature of most phenotypes, the feedback from environment to gene mutation and the massive role played by non-gene factors in most our traits, the author uncovers a staggering number of interesting findings in a highly understandable manner.

Amid all this, the author keeps the focus on various moral and ethical issues. The narrative is laced with historic episodes of all kinds to emphasise the criticality of the questions confronting us as we make more scientific progress. For example, the book beautifully explains the dangers of genetic modification - which tantamounts to replacing natural selection with human selection. As professionals or parents seek to weed out certain deformities, there are genuine risks of us eliminating some important evolutionary traits mainly out of ignorance of how genes really work at this stage but also out of their possible other utilities in long future.

The biggest flaw of the book is insufficient focus on latest developments and near absence of what this science is capable of solving in coming decades. The optimists out there expect congenitally blind people to see and cancers all cured. Some expect us to be able to grow a third arm if we so choose or re-create a dinosaur in a century or so. Genetics is combined with nanotechnology, cryonics, robotics etc by many fantasizers to come up with even more fanciful theories. The author could have added a chapter or two to discuss gene therapy and other recent experiments to complete the excellent work further.

That said, a remarkable book in all aspects.

3 of 3 people found the following review helpful.
A six star book
By Brian Hunt
Dr. Mukherjee’s earlier book, The Emperor of All Maladies, a book on cancer, is on my list of all-time top ten books. His new book is also at or close to the same level: It is a six star book on a scale of one to five. Dr. Mukherjee writes beautifully and with extraordinary clarity on very difficult technical subjects, moving effortlessly from complex, detailed biochemical processes to enormous ethical issues affecting our very future as a species.

This book is a masterful story of the history of genetics, starting from Mendel and Darwin right up to the latest gene modification processes; it is the clearest and most comprehensive account that I have read. But it is much more because Dr. Mukherjee introduces us to human dramas involving both researchers and patients. He also sets out the moral issues of our growing power to change the genomes not only of living people and embryos but also of descendants who have yet to be conceived.

Woven through the book is the personal story of Dr. Mukherjee’s family, which has a history of schizophrenia. Two of Dr. Mukherjee’s uncles and one of his first cousins suffered the devastating effects of schizophrenia and he lives with the possibility that he, too, may someday be struck down and/or have passed the disruptive genes on to his children.

This is not a lightweight book but I found it easy to read, thanks to the elegance of the writing, and totally gripping. As Dr. Mukherjee makes clear, we stand on the brink of a genetic future that has great promise and also great peril. This is an important book and deserves to be widely read.

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The story of the alphabet, by Edward Clodd

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

  • Sales Rank: #12131366 in Books
  • Published on: 1938
  • Number of items: 1
  • Binding: Hardcover
  • 11 pages

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Sabtu, 21 September 2013

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From the vaults of Academy Award-winning director, Hayao Miyazaki! Original watercolor illustrations used as concept sketches for both the manga and film versions of NausicaƤ of the Valley of the Wind. Take a peek behind the curtain to see the creative process of the most acclaimed anime director in the world today. This full-color, over-sized, hardcover book also includes Miyazaki's earliest sketches that eventually became the basis for some of the most beloved anime movies of the past 20 years.

  • Sales Rank: #188491 in Books
  • Brand: Animewild
  • Published on: 2007-11-06
  • Released on: 2007-11-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.87" h x .90" w x 9.00" l, 3.32 pounds
  • Binding: Hardcover
  • 208 pages
Features
  • Officially Licensed

About the Author

Hayao Miyazaki is one of Japan's most beloved animation directors. In September 2005 he was awarded the Venice International Film Festival's Golden Lion Award for Lifetime Achievement, and his Studio Ghibli received the Festival's Osella Award for overall achievement in 2004. Miyazaki's films include Spirited Away, winner of the 2002 Academy Award® for Best Animated Feature Film, as well as Princess Mononoke, My Neighbor Totoro and Howl's Moving Castle, all of which have received great acclaim in the U.S. Miyazaki's other achievements include the highly regarded manga series NausicaƤ of the Valley of the Wind, which is published in English by VIZ Media. NausicaƤ, like many of the director's movies, is now available on DVD in the U.S.

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35 of 35 people found the following review helpful.
Beautiful impressions
By Parka
[[VIDEOID:mo30U1WBPB2MXI1]]Here's the other art book for Nausicaa, the other being The Art of Nausicaa, which is in Japanese and not available to English as it wasn't translated. This one collects all the art created using watercolour for both the manga and film.

About half of the book is on the manga. There aren't any comic panels but you'll see a lot of covers, such as those he did for Animage, a Japanese anime and entertainment magazine. The covers are printed huge, often fullpage. Very beautiful and feels very different from the mainstream manga with the use of watercolour. If you remove the dust jacket, you'll see some of the Animage covers that have been published.

For the film section, there are storyboards, background concept art and character designs. Since I've the other art book as well, I see a bit of duplication of drawings, but printed in different sizes.

There's plenty of accompanying commentary for the art. He talks about everything from his thoughts on drawing covers, which he dislikes, and drawing Nausicaa (character) out of character, which he dislike even more. You'll find a lot of interesting stuff regarding clashes with his artistic vision for the manga and film at that time. At the back is a longer piece of interview which looks at how the idea of making Nausicaa came about.

All the drawings that appear in this book are drawn by Miyazaki, dating way back to 1982. It's amazing to see how far Miyazaki has come.

Nausicaa and Miyazaki fans will find this book to be a nice collectible.

(There are more pictures of the book on my blog. Just visit my Amazon profile for the link.)

20 of 20 people found the following review helpful.
Impressions, indeed!
By Arash Mohebbi
I ordered this more out of curiosity than anything else, expecting a fairly slim volume on a par with the Nausicaa comics: instead, it comes in as a pretty hefty tome, with many of Miyazaki's covers and "thinking out loud on paper" moments. His commentary (mainly captions to each image) is humble and reveals an intriguing glimpse into the mind of one of Japan's most famous and prolific Anime directors. I mean seriously, you'd never read a Pixar or Disney director apologies about "I didn't want to do a magazine cover, but the art director was insistent", or even revealing his intent to use Oni as main characters early in preproduction (yeah, those never made it to the final film).

9 of 9 people found the following review helpful.
A rare and interesting look into Miyazaki's Nausicaa
By Amazon Customer
This book is excellent. It combines great concept art, poster art and background info on the Nausicaa movie and manga by Hayao Miyazaki. The attention to detail and research undertaken to create Nausicaa and the world she inhabits is breath taking. The progression of basic ideas (wanting to do a Japanese period drama anime of 'Beauty and the Beast') to final concept (creating 'Nausicaa' as we see her today) was especially interesting to me. This book is a high-quality coffee-table book. The only downside is that many of Miyazaki's comments on his work are especially self-deprecating. Cheer up mate! Highly recommended. 10/10

I don't know if the other Art of Nausicaa book found at Amazon is similar or the same. Can anyone help there?

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Kamis, 19 September 2013

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Bruiser, by Neal Shusterman

New York Times bestselling author Neal Shusterman delivers a suspenseful and thrilling novel that's perfect for fans of Unwind and UnWholly.

Tennyson is not surprised, really, when his family begins to fall apart, or when his twin sister, BrontĆ«, starts dating the misunderstood bully, Brewster (or The Bruiser, as the entire high school calls him). Tennyson is determined to get to the bottom of The Bruiser's reputation, even if it means gearing up for a fight. BrontĆ«, on the other hand, thinks there's something special underneath that tough exterior. And she's right…but neither she nor Tennyson is prepared for the truth of what lies below the surface. Told through Tennyson, BrontĆ«, and Bruiser's points of view, this dark, twisting novel explores friendship, family, and the sacrifices we make for the people we love.

Bruiser was named to the Texas Lone Star Reading List, among many other state lists, and was selected as a Book Page Top Ten Book of the Year, a Bank Street College of Education Best Book of the Year, and a Cooperative Children's Book Center Choice.

Supports the Common Core State Standards

  • Sales Rank: #78614 in Books
  • Brand: Harper Teen
  • Published on: 2011-10-04
  • Released on: 2011-10-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .79" w x 5.31" l, .65 pounds
  • Binding: Paperback
  • 352 pages

From School Library Journal
Gr 8 Up–Tennyson, 16, is a hulking loner who seems to possess the power to heal both physical and psychic hurts. When his twin sister, BrontĆ«, befriends their shy and withdrawn classmate Brewster “Bruiser” Rawlins, he is concerned that her relationship with this boy from the wrong side of the tracks will prove somehow dangerous. After he spies Bruiser changing in the locker room and notices that his back is covered in scars and welts, he becomes even more certain that the teen and his family are bad news. In spite of her brother's warnings, BrontĆ« continues her relationship with Bruiser, drawing him closer to her family–and Tennyson–in the process. The twins begin to notice Bruiser's unusual talent: not only can he assume the physical pain and wounds of those he cares about, but he can also absorb their anger, hurt, and grief. Told from the three characters' alternating perspectives, with Brewster's rendered in poetic form, Shusterman's novel reveals its secrets and their implications slowly, allowing readers to connect the dots before the characters do and encouraging them to weigh the price of Bruiser's “gift” against the freedom from pain that Tennyson and BrontĆ« enjoy.Amy S. Pattee, Simmons College, Boston
© Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

From Booklist
Is it possible to experience joy if you don’t experience pain? Is absorbing someone’s pain a gift or a curse? Shusterman explores these central questions in this thought-provoking new book. Sixteen-year-old Tennyson fumes when he learns his twin sister, Bronte, is dating Bruiser, the guy voted Most Likely to Go to Jail, but Bronte insists Bruiser is misunderstood. Tennyson is eventually won over and befriends Bruiser, and that’s when the twins notice something odd. Their cuts and bruises disappear overnight while Bruiser is a mass of new hurts; somehow he takes on the pain, both physical and emotional, of the people he cares for. The story is narrated by Tennyson, Bronte, and Cody, Bruiser’s brother, in prose and by Bruiser in free verse, and the individual voices are nicely distinct. It is Tennyson, though, who stands out as he evolves from self-centered bully to caring young man and ponders big questions about friendship and sacrifice. A culminating crisis is a bit convenient, but the compelling issues and engaging premise make this a rewarding read. Grades 8-12. --Lynn Rutan

Review
“The compelling issues and engaging premise make this a rewarding read.” (ALA Booklist)

“This is a wrenching but ultimately redemptive look at how pain defines us and how love, whether familial, romantic or friendly, demands sacrifice and brings gifts of its own. Once again, Shusterman spins a fantastic tale that sheds light on everyday life.” (Kirkus Reviews)

“This eloquent and thoughtful story will most certainly leave its mark.” (Bulletin of the Center for Children’s Books)

“Even as the narrative wrestles with philosophical and moral issues, it delves deep into the viewpoints of Tennyson, Bronte, Bruiser, and his younger brother, each segment told in a different, distinctive style, making for a memorable story.” (Publishers Weekly)

“Shusterman’s writing is wonderful and a joy to read. The subject matter makes this a great book discussion choice.” (Voice of Youth Advocates (VOYA))

“Shusterman’s novel reveals its secrets and their implications slowly, allowing readers to connect the dots before the characters do and encouraging them to weigh the price of Bruiser’s ‘gift’ against the freedom from pain that Tennyson and Bronte enjoy.” (School Library Journal)

Most helpful customer reviews

10 of 10 people found the following review helpful.
Bruised, broken, down but not out
By Cheryl Stout
Neal Shusterman really has a knack for writing Young Adult books that resonate with a much wider audience. I started reading "Bruiser" thinking I knew what the plot was going to be - I was WRONG. I hadn't read any of the promo materials and so had no idea and am glad that it happened that way. I was able to enjoy the twists and turns of the story because of that.

I really enjoyed that the book was written in four voices and that one of the voices was done totally in poetry. Shusterman just keeps surprising me with the high calibre of his writing. Unwind was one of my favorite all-time books. But guess what? This one is right up there, too.

Shusterman's books make you think. They make you question the world and how it operates. But they do it in an exceptionally readable manner.

CAUTION:
I would recommend this for older teens or adults. Some language, sexual situations, violence.

15 of 17 people found the following review helpful.
A wonderful, compelling read
By J.Prather
Much like Shusterman's Unwind, Bruiser is a well written story peopled with engagaging characters that will make you think, and will stay with you long after you finish the last page. The author's incredible gift with dialogue, his expert pacing and his ability to blend in totally impossible concepts and make them believable is truly extraordinary. I admire people who exude an air of being comfortable in their own skin, and it's this that I think of when I read this book. The author is just so comfortable in his own storytelling, that there are no dialogue blips, no blatantly obvious plot devices, and no clunky transitions. This tale moves along seamlessly and the reader is left with a story that is stunningly authentic.

The narrative is presented from the differing points of view of brother and sister Tennyson and Bronte, Brew, and his younger brother Cody. If I have one issue with the book, it's that these characters come across as older than their years. They are not even 16, but come across as much older teens. The prose is very well written, and the transitions between points of view are done expertly. It's Brew's point of view, written in free verse, that truly contains the power of this story. I am not a fan of free verse. I steer clear of it whenever possible, but here it so effectively gives Brew his own unique voice that I was riveted. His verse is full of pain, anger and joy. His ruminations on the nature of pain and his abilities to absorb the pain (both emotional and physical) of others are very poignant.

Each character goes through his own journey in this novel, and you don't always like them. They do make you feel, and that seems to be the whole point of this story. What good are the ups if you can't feel the downs? This is a very good book that could very well be the author's best yet. There are no language issues, no sexual situations, but some violence and lots of intense emotion. This is a book to savor for both teens and adults.

6 of 7 people found the following review helpful.
Sickening.
By Claire
Definitely not for sensitive teens. The poor main character, Brewster, had the life from hell. I don't even want to talk about the sad plot. I may be addicted to happy endings, but this story made me more angry than sad. What was the author thinking? That this would be enjoyable reading? When I got to the end, I would have thrown it in the trash--something I never never do to a book--but it was on my Kindle, so I just deleted it. It's not that the writing was bad, it wasn't. The story was just sick.

Sorry, Neal Shusterman, I don't think I'll want to read any more of your books.

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Rabu, 18 September 2013

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THE ROLE OF WOMEN IN THE CHURCH FORMERLY PUBLISHED AS THE PLACE OF WOMEN IN THE CHURCH, by Charles Ryrie

  • Sales Rank: #5248091 in Books
  • Published on: 1970
  • Binding: Hardcover
  • 155 pages

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0 of 0 people found the following review helpful.
Solid read on the issue of women in ministry
By Ex-Navy
Excellent exegesis and historical overview of the question of ladies in the pulpit. Dr. Ryrie is very accommodating but also upholds Biblical distinctives. I did however disagree with him on the issue of divorce. Dr. Ryrie does not believe its is acceptable under any circumstances. I believe the Bible gives two (and only two) permissible reasons for divorce.

0 of 0 people found the following review helpful.
Recommended for all women
By Rebekah Schrepfer
My book shelf is quickly filling with books from the complementarian point of view of women’s roles, and Ryrie’s book is a great addition. He showed the great worth and dignity that Christianity has given women. The first edition was written in 1979, and this second edition was published in 2011. Some parts of the book took a bit of slow reading without distraction, but it was well worth the time!

Ryrie’s book begins with descriptions of the status of women in Judaism and in Greek and Roman culture and outlines how that differs from Christ’s teaching and relationship with women as well as the early church’s view of women’s roles. Jesus’ ministry was truly a turning point in the life of women. “It was the Lord Himself, who turned the reproach of the unmarried or widowed Jewish woman into reputable service for the Master.” I appreciated in this section Dr. Ryrie’s explanation of the issues of divorce, silence in the church, head coverings, subordination, prophetesses and deaconesses, widows, and virgins. His interpretations of the relevant Scriptures are true to the languages and the common sense of the texts.

The second half of the book traced all of the mentions of women in all of the church writings from the time of the apostles through the 3rd century. This was different that most other books of this genre I’ve read, and I loved it! The writings of Polycarp, Ignatius, Clement, Tertullian, Origen and others are analysed for clues about how the early church viewed women’s roles and how they applied the New Testament to the faithful Christian life. Ryrie’s short overview of each writer’s theology and background was helpful because unlike Scripture, the writings of the early church are jaded by their own human infallibility and philosophies and false doctrines. Having that framework for each writer was helpful to me in that way. The writings reveal how the early church practiced the doctrines of the New Testament and interestingly an office of deaconess is conspicuously absent until halfway through the 3rd century. Rather, “Beyond any question the widow was the outstanding figure throughout the entire first three centuries of the church.” We find the term deaconess only in connection with Phoebe (Rom. 16:1-2) in the New Testament, and Ryrie shows clearly that even in the first centuries of the church, the office of “deaconess” is more of an outgrowth of a well-organized and respected group of widows whose duties were not liturgical but consistent with helping at baptisms of women and visiting the sick and prayer. They did not preach, teach, nor perform any of the ordinances, not even when it involved only women. Notably in these early church writings, widows were not ordained as were bishops/pastors. Throughout these centuries the role of women in the home was the main emphasis of the church. The value of these godly women and their active service in the church was undeniably treasured, but their service was never authoritarian or in conflict with male leadership. Ryrie concludes, “Women workers, yes; women deacons, no.”

Too often the feminist and egalitarian camps try to rewrite church history and read into words like deaconess much more than was intended or described. We need more voices like Ryrie’s speaking in support of the complementarian view of women’s roles, that subordination does not equal inferiority, that ordering of authority and roles is very much defined and expected in Scripture, and that a woman’s godly service and contribution to the church does not require a formal position of authority.

0 of 0 people found the following review helpful.
Scholary Study
By aharit
This was originally Dr. Charles C. Ryrie's doctoral thesis from a university in Scotland. This is a revised reprint from the original edition published in the early 60s. It is uncomfortably biblical, especially in an era of feminism, yet Dr. Charles Ryrie does offer women ministry roles, but not in an authoritative role. I find that Dr. Ryrie always seeks to be biblical and looks at all the scriptural data. Ryrie does not believe a women should be a pastor or a preacher over men. This book is very biblical and scholarly. Highly recommended.

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Kamis, 12 September 2013

[F349.Ebook] Ebook Download Three Plays: Naga-Mandala; Hayavadana; Tughlaq, by Girish Karnad

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Three Plays: Naga-Mandala; Hayavadana; Tughlaq, by Girish Karnad

These plays represent three phases in the career of the dramatist Girish Karnad, all three are classics of the Indian stage. The first play, Tughlaq, is a historical play in the manner of nineteenth-century Parsee theater. The second, Hayavadana was one of the first modern Indian plays to employ traditional theatrical techniques. In Naga-Mandala, the third play, Karnad turns to oral tales, usually narrated by women. This selected work of one of India's best known playwrights should attract the attention of students and scholars of comparative literature, or any reader interested in South Asian literature.

  • Sales Rank: #1513751 in Books
  • Published on: 1996-02-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.40" h x .40" w x 8.40" l, .52 pounds
  • Binding: Paperback
  • 228 pages

Language Notes
Text: English (translation)

About the Author
Well-known playwright, actor, film personality.

Most helpful customer reviews

0 of 0 people found the following review helpful.
P. MENCKE
By Pat A Mencke
This is an amazing look at the history of playwriting in India after British rule ended. The author explains how playwrights are attempting to incorporate Indian local theater, which is mostly based on myths apparenty, into other modes of playwriting and play presentations with the use of lighting, the proscenium, and new forms of stories and ideas. Very interesting.

He also introduces each of his three plays with a bit of explanation to help western theater enthusiasts understand the form of his plays. While I would usually not want to hear from any artist a prologue to the presentation of a piece of art, since the work of art, in my opinion, must stand alone on it's own merits without the intentions of the artist or any background information presented ahead of time; I found this somewhat helpful in this case, where foreign myths are involved. This book is written to help Westerners understand the current state of East Indian theater art while presenting this playwrights work. It might, otherwise, have let us pass it up as trivial without the historical background. After reading the entirety of this Book, it is easier to separate Bollywood from more creative works in India.

At a time when teaching any information through parable or myth is in question, since young minds tend to believe such mythical characters actually exist no matter how fantastic, I applaud this author for his work of attempting to update the content and presentation of Indian plays. In he case of India, where there are hundreds of gods who are more of less dealt with as though they truly exist, this is a refreshing idea that America could learn from. This author also seems to want to retain theater's ability to present large ideas effectively, and that too is laudable.

0 of 0 people found the following review helpful.
When cultures meet
By Amazon Customer
Karnad is a gifted playwright. I have seen two of these plays and find them a theatrical treasure trove. They are well worth seeing -- and reading. His style is distinctive.

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Rabu, 11 September 2013

[D759.Ebook] Free PDF The Solar System (True Books: Space), by Howard K. Trammel

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  • Sales Rank: #1457245 in Books
  • Published on: 2009-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .31" h x 7.52" w x 8.58" l, .50 pounds
  • Binding: Library Binding
  • 48 pages

From Booklist
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  • Sales Rank: #129883 in Books
  • Published on: 2015-02-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.88" h x .38" w x 8.25" l, .0 pounds
  • Binding: Paperback
  • 128 pages

About the Author

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Excellent Revision
By Bryan Lee
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7 of 8 people found the following review helpful.
Great reference book but it's pretty much the same as ...
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Good book with great information about wiring for the home
By Kevin Jones
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[B887.Ebook] Ebook Download Black & Decker Advanced Home Wiring, Updated 4th Edition: DC Circuits * Transfer Switches * Panel Upgrades * Circuit Maps * More, by Edito Doc

[B887.Ebook] Ebook Download Black & Decker Advanced Home Wiring, Updated 4th Edition: DC Circuits * Transfer Switches * Panel Upgrades * Circuit Maps * More, by Edito Doc

[B887.Ebook] Ebook Download Black & Decker Advanced Home Wiring, Updated 4th Edition: DC Circuits * Transfer Switches * Panel Upgrades * Circuit Maps * More, by Edito Doc
[B887.Ebook] Ebook Download Black & Decker Advanced Home Wiring, Updated 4th Edition: DC Circuits * Transfer Switches * Panel Upgrades * Circuit Maps * More, by Edito Doc