Rabu, 09 Oktober 2013

[K239.Ebook] Free PDF On Death and Dying: What the Dying have to teach Doctors, Nurses, Clergy and their own Families, by Elisabeth Kübler-Ross

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On Death and Dying: What the Dying have to teach Doctors, Nurses, Clergy and their own Families, by Elisabeth Kübler-Ross

On Death and Dying: What the Dying have to teach Doctors, Nurses, Clergy and their own Families, by Elisabeth Kübler-Ross



On Death and Dying: What the Dying have to teach Doctors, Nurses, Clergy and their own Families, by Elisabeth Kübler-Ross

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On Death and Dying: What the Dying have to teach Doctors, Nurses, Clergy and their own Families, by Elisabeth Kübler-Ross

Denial, anger, bargaining, depression and acceptance. The five stages of grief, first formulated in this hugely influential work forty years ago, are now part of our common understanding of bereavement. The five stages were first identified by Elisabeth Kübler-Ross in her work with dying patients at the University of Chicago and were considered phases that all or most people went through, when faced with the prospect of their own death. They are now often accepted as a response to any major life change.

However, in spite of these terms being in general use, the subject of death is still surrounded by conventional attitudes and reticence that offer only fragile comfort because they evade the real issues. This groundbreaking book is still relevant – giving a voice to dying people and exploring what impending death means to them, often in their own words. People speak about their experience of dying, their relief in expressing their fear and anger and being able to move forward to a state of acceptance and peace.

Ideal for all those with an interest in bereavement or the five stages of grief, this book contains a new extended introduction from Professor Allan Kellehear. This additional chapter re-examines On Death and Dying looking at how it has influenced contemporary thought and practice.

  • Sales Rank: #6406560 in Books
  • Brand: Brand: Routledge
  • Published on: 2008-11-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .75" w x 5.51" l, .90 pounds
  • Binding: Hardcover
  • 264 pages
Features
  • Used Book in Good Condition

Review

Praise for On Death and Dying:

'This book is important reading for nurses, doctors, clergy, and others whose work brings them into contact with the dying. It is also recommended to any reader who refuses to believe that the best way to deal with fear is to run away.' – Colin Murray Parkes, from the foreword

‘All those involved in social work, be they students, practitioners, or teachers should read it; for it concerns loss, and assisting people to deal with losses of one kind or another is the social worker's commonest task. Here is a book that helps them to do this with sensitivity, insight and compassion.' – British Journal of Social Work

‘This is a book to own but every library should have a copy and every medical and nursing syllabus a place for discussion of death and dying with this as a textbook.’ – Nursing Times

About the Author

Elisabeth Kübler-Ross was a psychiatrist with a particular interest in end of life care. Especially interested in the care of dying patients, she researched their attitudes to death. Her groundbreaking work, On Death and Dying, identified the ‘five stages’ that dying people go through as they approach death and this model has been enormously influential over the past forty years.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Should be required reading
By Chemical Craig
We, in the US, have made dying a taboo topic. I used this in an undergraduate course on Death and Dying, and learned more about everything associated with the process than I ever knew existed. It has helped me to an immeasurable extent in dealing with the death of loved ones since then. I really think it should be required reading for everyone, adolescent and beyond.

0 of 0 people found the following review helpful.
I can not express how helpfull to see and understand ...
By Amazon Customer
I can not express how helpfull to see and understand all the questions you have on your mind. It was a turning point for me this book. So blessed to read. Everyone should read this book

0 of 0 people found the following review helpful.
I am not happy about circumstances that brought me to the book
By Vicki
classic for a reason. I am not happy about circumstances that brought me to the book, but there is not a book out there that has brought comfort to me as this one has.

See all 279 customer reviews...

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Selasa, 08 Oktober 2013

[J825.Ebook] Free PDF Wrapped in Plastic: Twin Peaks (Pop Classics), by Andy Burns

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Wrapped in Plastic: Twin Peaks (Pop Classics), by Andy Burns

Damn good coffee, cherry pie, and the “big bang of auteur television” — why Twin Peaks deserves to be a pop culture classic

In 1990, avant garde filmmaker David Lynch (Eraserhead, The Elephant Man, Dune, Blue Velvet) and acclaimed television writer Mark Frost (Hill Street Blues) teamed up to create a television show that would redefine what the medium could achieve in a one-hour drama. With Twin Peaks, the duo entranced audiences with the seemingly idyllic town, its quirky characters, and a central mystery — who killed Laura Palmer?

In a town like Twin Peaks, nothing is as it seems, and in Wrapped in Plastic, pop culture writer Andy Burns uncovers and explores the groundbreaking stylistic and storytelling methods that have made the series one of the most influential and enduring shows of the past 25 years.

  • Sales Rank: #588734 in Books
  • Published on: 2015-02-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.80" h x .40" w x 4.70" l, .0 pounds
  • Binding: Paperback
  • 144 pages

Review
“Andy Burns’ Wrapped in Plastic is a smart and indispensable guidebook that will easily whet your appetite in anticipation for the show’s return. The book is the latest in ECW Press’ excellent, highly collectible Pop Classics series . . . [Burns] is an erudite and impassioned guide who clearly knows his way around the show’s many layers . . . Wrapped in Plastic is such a wonderful companion piece.” — Rue Morgue

“If Twin Peaks was a real place, Andy Burns would be president of the historical society. As both a fan and scholar of the beloved and influential television series, he is the perfect guide on this journey into what made the show both unique and timeless. His views and opinions on Twin Peaks — the TV show, the cultural phenomenon, and the town itself — are fresh, original and insightful. This is no mere lovefest for a forgotten cult program, but an exploration of a unique moment in television history, an experience that changed all those who watched it, and reminded us that life, like the town of Twin Peaks, is both wonderful and strange.” — Ian Rogers, author of Every House Is Haunted

"[I] loved the book. It captured the history and the lineage David Lynch and Mark Frost created 25 years ago. The Twin Peaks Festival has kept the Twin Peaks fires alive since 1993 and we're stronger than ever . . . Andy captured the essence of Twin Peaks for the original fans and welcomes our new fans to the world of Twin Peaks." — Rob Lindley, Twin Peaks Festival

"Andy Burns' brilliant book unveils to us actors peripheral perception. I couldn't put it down. After I supplied the 'who' of Jaques Renault, Andy's book supplies much of the why and all that goes into this world called 'Twin Peaks'. This book is a must for all Twin Peaks fans, actors, everyone. Cherish it. I do." — Walter Olkewicz (Jacques Renault)

"Andy Burns has gotten the inside track. He found the humor that many missed!" — Charlotte Stewart (Betty Briggs)

”Wrapped In Plastic is a refreshingly paced view of Twin Peaks that pays attention to the detail of the show yet brings to light how the show effects one personally. Done with great affection." — James Marshall (James Hurley)

"Everything you need to know about Twin Peaks and its fathers, start to not quite finished. . . . It's a small necessity." — Kimmy Robertson (Lucy Moran)

"Fans will find a lot to appreciate in Wrapped in Plastic: Twin Peaks. Along with reminding us of how fantastic the show was, it's a great recap of the characters and story lines, and a perfect way to get quickly reacquainted with the world Lynch and Frost created." — Beauty in Ruins

"Wrapped in Plastic is really a primer for brand new fans. Fortunately, with the release of that blu-ray and the announcement of season three, there should be plenty of those." — Psychobabble

"Short, punchy, and perfect for dipping into in short bursts while waiting in the car or sitting on the bleachers." — GeekMom

About the Author
Andy Burns is the founder and editor-in-chief of the pop culture website Biff Bam Pop. His work has appeared in the Toronto Sun and Rue Morgue magazine, while his dreams are regularly haunted by the denizens of Twin Peaks. 

Most helpful customer reviews

3 of 4 people found the following review helpful.
Another great entry in the Pop Classics series. This time about a strange town with damn good coffee.
By Wayne A McCoy
'Wrapped in Plastic: Twin Peaks' by Andy Burns just continues my love of the Pop Classics series. So far I've read books on the Teenage Mutant Ninja Turtles, Elvis Costello, and now Twin Peaks. In all cases the subjects have been enthusiastically and well written about.

This time around, it's quirky Twin Peaks. The show that lasted only two seasons, but managed to change so much. Modern shows like True Detective, The Following, and Hannibal owe quite a bit to this landmark, even if they don't overtly acknowledge it. The television landscape before and after are discussed as is the fact that the shows creator came from Hollywood in a time when that didn't really happen. We read about the episodes that worked, and the ones that didn't. The movie is discussed as well as the way the characters changed as they encountered the Red Lodge. The influence of the show and the many homages are talked about, some funny, some strange. The show was ahead of it's time, and, for a show that got cancelled, it's found a loyal fan base.

Andy Burns points out the offbeat humor that a lot of people didn't get. His fandom is very infectious, and the writing is very well done. I was a fan of the show the first season, and it kind of lost me during the second, but after reading this, I might have to go back and revisit this strange, dark town with it's delicious pie and coffee. Thank you Andy Burns for reintroducing me to this series, and thank you Pop Classics for another fun entry.

I received a review copy of this ebook from ECW Press and NetGalley in exchange for an honest review. Thank you for allowing me to review this ebook.

2 of 2 people found the following review helpful.
No real revelations, but an interesting read for TP fans
By MisanthropicGirl
Despite its shortness I enjoyed the book for what it was worth. However, I found a couple of Burns' theories to be incorrect according to the series. For instance, he says he believes that Bob is the "Dweller on the threshold" when in the series, as Hawk explains the legend of the Black Lodge to Coop, he clearly states that the "Dweller on the threshold" is the Shadow Person of the person inside the Black Lodge who is either trying to pass through to the White Lodge or trying to get back to our world.
There was another inconsistency in one of his theories which I can't recall at the moment, but other than this it was an interesting, short (although I must confess I craved a bit more), concise read.

2 of 2 people found the following review helpful.
That Show You Like Will Be Coming Back Into Style Soon...
By Preston Halcomb
This book is a very good, extended essay length overview of the Twin Peaks phenomenon. It is very well researched. The author has a lot of insight into the creation of the show and the themes it explores. I enjoy the fact that this volume was written recently, so it takes into account all the newer information about Twin Peaks, including homages and news of the new Showtime series that is being produced. For my money, this book is perfect for either the seasoned viewer who is looking for a refresher, or for the new fan who wants to delve into the mysteries of the seres, where the owls are not what they seem.

See all 10 customer reviews...

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[G184.Ebook] PDF Ebook Conclave: A novel, by Robert Harris

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Conclave: A novel, by Robert Harris

The best-selling author of Enigma and Fatherland turns to today's Vatican in a ripped-from-the-headlines novel, and gives us his most ambitious, page-turning thriller yet--where the power of God is nearly equaled by the ambition of men.

The pope is dead. Behind the locked doors of the Sistine Chapel, one hundred and eighteen cardinals from all over the globe will cast their votes in the world's most secretive election. They are holy men. But they have ambition. And they have rivals. Over the next seventy-two hours one of them will become the most powerful spiritual figure on Earth.

  • Sales Rank: #3421 in Books
  • Published on: 2016-11-22
  • Released on: 2016-11-22
  • Format: Deckle Edge
  • Original language: English
  • Dimensions: 9.60" h x 1.10" w x 6.60" l, 1.25 pounds
  • Binding: Hardcover
  • 304 pages

Review
“Triumphant . . . I am about to use a word I have never knowingly  used in any review of any book ever. During my 25-odd years of writing about books I have done my best to avoid clichés, slipshod summaries, oracular pronouncements and indeed anything else that might appear emblazoned on a book jacket. Nonetheless, there is only one possible word to describe Robert Harris’s new novel, and it is this: unputdownable.”
—Ian Sansom, The Guardian
 
“A gripping read in the authentic Harris mould . . . Conclave, though, is more than a crime novel, it is also a psychological and political thriller . . . The more one looks, the more cunning the book seems. Conclave is a triumphant addition to Harris’s acclaimed output.”
—David Grylls, The Sunday Times
 
“A gripping read. There are plenty of plot twists, revelations and high politicking to hook readers in. . . . An ecclesiastical version of House of Cards . . . Conclave is admirably brisk—and its final twist is great fun.”
—Robbie Millen, The Times
 
“A slick and fast-paced thriller . . . This entertaining and satisfying page-turner tells the tense story of the Machiavellian machinations of ambitious men, locked in a power-struggle that can only end in a puff of white smoke and power.”
—Huston Gilmore,  The Daily Express
 
“Ambition and intrigues are familiar ground to a former political journalist . . . gripping.”
—Rachel Cooke, The Observer
 
“Fast-written and suspenseful, it’s elegantly written entertainment from a first-rate storyteller.”
—Simon Humphreys, The Mail on Sunday
 
“Despite papal fiction being such a crowded church, Harris, in Conclave, contrives a twist involving the number of cardinal-electors that seems to me completely new.”
—Mark Lawson, The Guardian
 
“The novel begins to grip like a vice and manages to convey all the drama of an election without resorting to melodrama. He pulls off the difficult trick of making his cardinals seem no less holy for all their human foibles and, although this ruminative and low-key novel is very different from Harris’s other books, it is well up to their standard.”
—Charlotte Heathcote, Sunday Express
 
“The smartest bestselling author at work today . . . [Conclave is] a modern-day story that explores the power, glory and skullduggery behind the process of electing a new pope.”
—Richard T. Kelly, Esquire (UK)
 
“Another high-class Harris thriller.”
—James Walton, Reader’s Digest (UK)
 
“An impressive outing from an extremely versatile author.”
—Publishers Weekly

"Robert Harris, creator of grand, symphonic thrillers from Fatherland to An Officer and a Spy, scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies....An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation." –Kirkus Reviews, starred review

About the Author
ROBERT HARRIS is the author of ten best-selling novels: Fatherland, Enigma, Archangel, Pompeii, Imperium, The Ghost Writer, Conspirata, The Fear Index, An Officer and a Spy, and Dictator. Several of his books have been adapted to film, most recently The Ghost Writer, directed by Roman Polanski. His work has been translated into thirty-seven languages. He lives in the village of Kintbury, England, with his wife, Gill Hornby.

Excerpt. © Reprinted by permission. All rights reserved.
Copyright  © 2016 Robert Harris

 

At 6:30 a.m., the alarm sounded throughout the Casa Santa Marta—a clanging seminary bell. Lomeli opened his eyes. He was curled up on his side. He felt groggy, raw. He had no idea how long he had been asleep, only that it couldn’t have been for more than an hour or two. The sudden remembrance of all he had to do in the coming day passed over him like a wave of nausea, and for a while he lay unable to move. Normally his waking routine was to meditate for fifteen minutes then rise and say his morning prayers. But on this occasion, when at last he managed to summon the will to put his feet to the floor, he went directly into the bathroom and ran a shower as hot as he could bear. The water scourged his back and shoulders. He twisted and turned beneath it and cried out in pain. Afterwards he rubbed away the moisture on the mirror and surveyed with disgust his raw and scalded skin. My body is clay, my good fame a vapour, my end is ashes.

He felt too tense to breakfast with the others. He stayed in his room, rehearsing his homily and attempting to pray, and left it until the very last minute to go downstairs.

The lobby was a red sea of cardinals robing for the short procession to St. Peter’s. The officials of the Conclave, led by Archbishop Mandorff and Monsignor O’Malley, had been allowed back into the hostel to assist; Father Zanetti was waiting at the foot of the stairs to help Lomeli dress. They went into the same waiting room opposite the chapel in which he had met Woźniak the night before. When Zanetti asked him how he had slept, he replied, “Very soundly, thank you,” and hoped the young priest would not notice the dark circles beneath his eyes and the way his hands shook when he handed him his sermon for safe keeping. He ducked his head into the opening of the thick red chasuble that had been worn by successive Deans of the College over the past twenty years and held out his arms as Zanetti fussed around him like a tailor, straightening and adjusting it. The mantle felt heavy on his shoulders. He prayed silently: Lord, who hast said, My yoke is easy and My burden is light, grant that I may so bear it as to attain Thy grace. Amen. Zanetti stood in front of him and reached up to place upon

Zanetti stood in front of him and reached up to place upon his head the tall mitre of white watered silk. The priest stepped back a pace to check it was correctly aligned, squinted, came forward again and altered it by a millimetre, then walked behind Lomeli and tugged down the ribbons at the back and smoothed them. It felt alarmingly precarious. Finally he gave him the crozier. Lomeli lifted the golden shepherd’s crook a couple of times in his left hand, testing the weight. You are not a shepherd, a familiar voice whispered in his head. You are a manager. He had a sudden urge to give it back, to tear off the vestments, to confess himself a fraud and disappear. He smiled and nodded. “It feels good,” he said. “Thank you.”

Just before 10 a.m., the cardinals began moving off from the Casa Santa Marta, walking out of the plate-glass doors in pairs, in order of seniority, checked off by O’Malley on his clipboard. Lomeli, resting on the crozier, waited with Zanetti and Mandorff beside the reception desk. They had been joined by Mandorff’s deputy, the Dean of the Master of Papal Ceremonies, a cheerful, tubby Italian monsignor named Epifano, who would be his chief assistant during the Mass. Lomeli spoke to no one, looked at no one. He was still trying vainly to clear a space in his mind for God. Eternal Trinity, I intend by Your grace to celebrate Mass to Your glory, and for the benefit of all, both living and dead, for whom Christ died, and to apply the ministerial fruit for the choosing of a new Pope . . .

At last they stepped out into the blank November morning. The double file of scarlet-robed cardinals stretched ahead of him across the cobbles towards the Arch of the Bells, where they disappeared into the basilica. Again the helicopter hovered somewhere nearby; again the faint sounds of demonstrators carried on the cold air. Lomeli tried to shut out all distractions, but it was impossible. Every twenty paces stood security men who bowed their heads as he passed and blessed them. He walked with his supporters beneath the arch, across the piazza dedicated to the early martyrs, along the portico of the basilica, through the massive bronze door and into the brilliant illumination of St. Peter’s, lit for the television cameras, where a congregation of twenty thousand was waiting. He could hear the chanting of the choir beneath the dome and the vast echoing rustle of the multitude. The procession halted. He kept his eyes fixed straight ahead, willing stillness, conscious of the immense throng standing close-packed all around him—nuns and priests and lay clergy, staring at him, whispering, smiling.

Eternal Trinity, I intend by Your grace to celebrate Mass to Your glory . . .

After a couple of minutes, they moved on again, up the wide central aisle of the nave. He glanced from side to side, leaning on the crozier with his left hand, motioning vaguely with his right, conferring his blessing upon the blur of faces. He glimpsed himself on a giant TV screen—an erect, elaborately costumed, expressionless figure, walking as if in a trance. Who was this puppet, this hollow man? He felt entirely disembodied, as though he were floating alongside himself.

At the end of the aisle, where the nave gave on to the cupola of the dome, they had to pause beside Bernini’s statue of St. Longinus, close to where the choir was singing, and wait while the last few pairs of cardinals filed up the steps to kiss the central altar and descended again. Only when this elaborate manoeuvre had been completed was Lomeli himself cleared to walk around to the rear of the altar. He bowed towards it. Epifano stepped forward and took away the crozier and gave it to an altar boy. Then he lifted the mitre from Lomeli’s head, folded it, and handed it to a second acolyte. Out of habit, Lomeli touched his skullcap to check it was in place.

Together he and Epifano climbed the seven wide carpeted steps to the altar. Lomeli bowed again and kissed the white cloth. He straightened and rolled back the sleeves of his chasuble as if he were about to wash his hands. He took the silver thurible of burning coals and incense from its bearer and swung it by its chain over the altar—seven times on this side, and then, walking round, a separate censing on each of the other three. The sweet-smelling smoke evoked feelings beyond memory. Out of the corner of his eye he saw dark-suited figures moving his throne into position. He gave back the thurible, bowed again and allowed himself to be conducted round to the front of the altar. An altar boy held up the missal, opened to the correct page; another extended a microphone on a pole.

Once, in his youth, Lomeli had enjoyed a modest fame for the richness of his baritone. But it had become thin with age, like a fine wine left too long. He clasped his hands, closed his eyes for a moment, took a breath, and intoned in a wavering plainsong, amplified around the basilica:

“In nomine Patris et Filii et Spiritus Sancti . . .”
And from the colossal congregation arose the murmured sung response:
“Amen.”
He raised his hands in benediction and chanted again, extending the three syllables into half a dozen:
“Pa-a-x vob-i-is.”
And they responded:
“Et cum spiritu tuo.”
He had begun.


Excerpted from Conclave by Robert Harris. Copyright © 2016 by Robert Harris. Excerpted by permission of Knopf. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Brilliant Book.
By Book Worm Larve
This is a book that I found it hard to put down. You would think that it had been written by the Pope himself. The detail as to what goes on in and around the Vatican during a Conclave [election of a new Pope] is fantastically realistic. I have never been a Cardinal myself but I feel that I know the ropes if I am ever appointed one which is a bit unlikely or is it watching the Young Pope.

1 of 1 people found the following review helpful.
Interesting insight into a closed world
By A Customer
Conclave takes us through the papal election process, the thoughts of a fictive cardinal and the competition for the most powerfull title in the world of religion. It may not sound like the most riveting plot for a novel. But as always with Robert Harris you get to know the antagonit well as a person and there are dramas and surprises in the story.

2 of 2 people found the following review helpful.
Three Stars
By lynmarg
Well written but content very tame and rather disappointing

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Sabtu, 05 Oktober 2013

[X295.Ebook] Free Ebook Graphic Communications, by Z. A. Prust

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Graphic Communications, by Z. A. Prust

Graphic Communications is a comprehensive text that reflects the changes that have taken place as digital technology has revolutionized almost every aspect of printing and its related operations. With its informative and easy-to-understand approach, the text helps students understand the processes, methods, and equipment used in the industry. This practical, versatile text covers all major aspects of graphic communications.

The text tells and shows how various methods are used to take an original idea and convert it into a finished product. While Graphic Communications covers traditional printing methods, extensive content focuses on technological advancements and how electronics is affecting every aspect of the field. This edition highlights the technology currently being used in the industry, with special attention to digital printing and its applications.

  • Sales Rank: #816533 in Books
  • Brand: Brand: Goodheart-Willcox Co
  • Published on: 2009-09-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.10" h x .90" w x 8.70" l, 2.95 pounds
  • Binding: Hardcover
  • 526 pages
Features
  • Used Book in Good Condition

From the Back Cover
'Graphic Communications' will help you learn about the rapidly changing field of printing quickly and easily. Explaining the important role of graphic communications in our technological society.

About the Author
Goodheart-Willcox is the premier publisher for Technical, Trades, and Technology; Family and Consumer Sciences; and Business, Marketing and Career Education. Goodheart-Willcox products are designed to train everyone from students through practicing professionals. Our books and supplements contain a wealth of information on the latest theories, techniques, tools, and operations for these subject areas. Whether the subject is automotive or child care, you will find numerous features throughout our textbooks to make learning easier. High-quality presentation, authoritative content, sound topic sequence, an abundance of illustrations, involving pedagogy, real-world examples, and appropriate readability are hallmarks of Goodheart-Willcox products.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Had to read it for school
By Kangi
Interesting to me that a book on printing and graphic communications has typos and such an unattractive mix of fonts, cluttered pages, etc. It has a lot of material on printing but it was incredibly dull.

0 of 0 people found the following review helpful.
New as stated. Arrived on time. No complaints ...
By Clark
New as stated. Arrived on time. No complaints.

1 of 1 people found the following review helpful.
A Plus
By lovely-artist
Very helpful. This book has good graphics and information for every person who wants to get into the graphic industry. I've only read a few chapters and I love the layout of the book. It gives you a definition section, career section, body text, and much more.

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Selasa, 01 Oktober 2013

[S983.Ebook] Download Daft Wee Stories, by Limmy

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Daft Wee Stories, by Limmy

DAFT WEE STORIES is Limmy’s first book.

It is a collection of stories.

There are short stories.

There are longer stories.

There are stupid stories.

There are thoughtful stories.

There are upside-down stories.

There are normal-way-up stories.

There are weird stories.

There are less weird stories.

There are really weird stories.

There is nothing else like it.

Have a read.

  • Sales Rank: #767432 in eBooks
  • Published on: 2015-07-30
  • Released on: 2015-07-30
  • Format: Kindle eBook

Review
"Daft Wee Stories will sate Limmy's existing fans and proves once again that his wickedly anarchic sensibility moves effortlessly between media." Chortle "Disturbing yet very, very funny, it's a shocking, scathing delight." The Sun "So good they'll make you snot yourself laughing." Scotland on Sunday "The comedy book of the year." Time Out "The tales he treats us to are indeed both daft and wee; happily, they're funny, peculiar and original, too." Guardian

About the Author
Limmy (Brian Limond) is an actor, writer, and comedian, known for Limmy's Show!, Charlie Brooker's Weekly Wipe, and The IT Crowd.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Hilarious, weird, awesome stories.
By nz_reader
Hilarious stories from a true comic genius. It's scary but I think my mind works in a similar way to Limmy's own twisted mind - he manages to write about those weird things that go on in your head but you dont really tell anyone about them because you can't put them into words, but somehow Limmy does it, and does it really well. If you like the TV show you will love this book. If you don't like the TV show because you can't understand the accents then you'll love this book! Please keep writing Limmy!! :)

0 of 0 people found the following review helpful.
Best comedy book I ever read
By Kunkmonk
Best comedy book I ever read. You should also get the audio book too and read along while Limmy narrates. Weird, existential comedy at its best.

0 of 0 people found the following review helpful.
Fantastic book. Limmy is really a genius
By Ryan Smith
Fantastic book. Limmy is really a genius. Many of these stories are more than just jokes, they're small revelations. Beautiful stuff.

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Sabtu, 28 September 2013

[P764.Ebook] Free Ebook The Gene: An Intimate History, by Siddhartha Mukherjee

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The Gene: An Intimate History, by Siddhartha Mukherjee

THE #1 NEW YORK TIMES BESTSELLER

From the Pulitzer Prize-winning, bestselling author of The Emperor of All Maladies—a magnificent history of the gene and a response to the defining question of the future: What becomes of being human when we learn to “read” and “write” our own genetic information?

Siddhartha Mukherjee has a written a biography of the gene as deft, brilliant, and illuminating as his extraordinarily successful biography of cancer. Weaving science, social history, and personal narrative to tell us the story of one of the most important conceptual breakthroughs of modern times, Mukherjee animates the quest to understand human heredity and its surprising influence on our lives, personalities, identities, fates, and choices.

Throughout the narrative, the story of Mukherjee’s own family—with its tragic and bewildering history of mental illness—cuts like a bright, red line, reminding us of the many questions that hang over our ability to translate the science of genetics from the laboratory to the real world. In superb prose and with an instinct for the dramatic scene, he describes the centuries of research and experimentation—from Aristotle and Pythagoras to Mendel and Darwin, from Boveri and Morgan to Crick, Watson and Franklin, all the way through the revolutionary twenty-first century innovators who mapped the human genome.

As The New Yorker said of The Emperor of All Maladies, “It’s hard to think of many books for a general audience that have rendered any area of modern science and technology with such intelligence, accessibility, and compassion…An extraordinary achievement.” Riveting, revelatory, and magisterial history of a scientific idea coming to life, and an essential preparation for the moral complexity introduced by our ability to create or “write” the human genome, The Gene is a must-read for everyone concerned about the definition and future of humanity. This is the most crucial science of our time, intimately explained by a master.

  • Sales Rank: #702 in Books
  • Published on: 2016-05-17
  • Released on: 2016-05-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.70" w x 6.12" l, .0 pounds
  • Binding: Hardcover
  • 608 pages

Amazon.com Review
An Amazon Best Book of May 2016: In 2010, Siddhartha Mukherjee was awarded the Pulitzer Prize for his book The Emperor of All Maladies, a “biography” of cancer. Here, he follows up with a biography of the gene—and The Gene is just as informative, wise, and well-written as that first book. Mukherjee opens with a survey of how the gene first came to be conceptualized and understood, taking us through the thoughts of Aristotle, Darwin, Mendel, Thomas Morgan, and others; he finishes the section with a look at the case of Carrie Buck (to whom the book is dedicated), who eventually was sterilized in 1927 in a famous American eugenics case. Carrie Buck’s sterilization comes as a warning that informs the rest of the book. This is what can happen when we start tinkering with this most personal science and misunderstand the ethical implications of those tinkerings. Through the rest of The Gene, Mukherjee clearly and skillfully illustrates how the science has grown so much more advanced and complicated since the 1920s—we are developing the capacity to directly manipulate the human genome—and how the ethical questions have also grown much more complicated. We could ask for no wiser, more fascinating and talented writer to guide us into the future of our human heredity than Siddhartha Mukherjee. --Chris Schluep

Review
"This is perhaps the greatest detective story ever told—a millennia-long search, led by a thousand explorers, from Aristotle to Mendel to Francis Collins, for the question marks at the center of every living cell. Like The Emperor of All Maladies, The Gene is prodigious, sweeping, and ultimately transcendent. If you’re interested in what it means to be human, today and in the tomorrows to come, you must read this book." (Anthony Doerr, author of All the Light We Cannot See)

"The Gene is a magnificent synthesis of the science of life, and forces all to confront the essence of that science as well as the ethical and philosophical challenges to our conception of what constitutes being human." (Paul Berg, winner of the Nobel Prize in Chemistry)

"Compelling... Highly recommended." (Booklist, starred review)

“Sobering, humbling, and extraordinarily rich reading from a wise and gifted writer who sees how far we have come—but how much farther far we have to go to understand our human nature and destiny.” (Kirkus, starred review)

"Mukherjee deftly relates the basic scientific facts about the way genes are believed to function, while making clear the aspects of genetics that remain unknown. He offers insight into both the scientific process and the sociology of science... By relating familial information, Mukherjee grounds the abstract in the personal to add power and poignancy to his excellent narrative." (Publishers Weekly, starred review)

“A magisterial account of how human minds have laboriously, ingeniously picked apart what makes us tick. . . . [The Gene] will confirm [Mukherjee] as our era’s preeminent popular historian of medicine. The Gene boats an even more ambitious sweep of human endeavor than its predecessor. . . . Mukherjee punctuates his encyclopedic investigations of collective and individual heritability, and our closing in on the genetic technologies that will transform how we will shape our own genome, with evocative personal anecdotes, deft literary allusions, wonderfully apt metaphors, and an irrepressible intellectual brio.” (Ben Dickinson, Elle)

“Magnificent…. The story [of the gene] has been told, piecemeal, in different ways, but never before with the scope and grandeur that Siddhartha Mukherjee brings to his new history… he views his subject panoptically, from a great and clarifying height, yet also intimately.” (James Gleick, New York Times Book Review)

“Many of the same qualities that made The Emperor of All Maladies so pleasurable are in full bloom in The Gene. The book is compassionate, tautly synthesized, packed with unfamiliar details about familiar people.” (Jennifer Senior, The New York Times)

“Mukherjee’s visceral and thought-provoking descriptions... clearly show what he is capable of, both as a writer and as a thinker.” (Matthew Cobb, Nature)

“His topic is compelling. . . . And it couldn’t have come at a better time.” (Courtney Humphries, Boston Globe)

"[Mukherjee] nourishes his dry topics into engaging reading, expresses abstract intellectual ideas through emotional stories . . . .[and] swaddles his medical rigor with rhapsodic tenderness, surprising vulnerability, and occasional flashes of pure poetry. . . . . With a marriage of architectural precision and luscious narrative, an eye for both the paradoxical detail and the unsettling irony, and a genius for locating the emotional truths buried in chemical abstractions, Mukherjee leaves you feeling as though you've just aced a college course for which you'd been afraid to register -- and enjoyed every minute of it." (Andrew Solomon, Washington Post)

“The Gene is equally authoritative [to Emperor], building on extensive research and erudition, and examining the Gordian knots of genes through the prism of his own family’s struggle with a disease. He renders complex science with a novelist’s skill for conjuring real lives, seismic events.” (Hamilton Cain, Minneapolis Star Tribune)

“A fascinating and often sobering history of how humans came to understand the roles of genes in making us who we are—and what our manipulation of those genes might mean for our future. . . . The Gene captures the scientific method—questioning, researching, hypothesizing, experimenting, analyzing—in all its messy, fumbling glory, corkscrewing its way to deeper understanding and new questions.” (Jim Higgins, Milwaukee Journal-Sentinel)

“This is an intimate history. . . . This is a meticulous history. . . . This is a provocative history. . . . Most of all, this is a readable history. . . . The Gene is a story that, once read, makes us far better educated to think about the profound questions that will confront us in the coming decades.” (Ron Krall, Steamboat Today)

“Reading The Gene is like taking a course from a brilliant and passionate professor who is just sure he can make you understand what he’s talking about. . . . The Gene is excellent preparation for all the quandaries to come.” (Mary Ann Gwinn, Seattle Times)

“Inspiring and tremendously evocative reading. . . . Like its predecessor, [The Gene] is both expansive and accessible . . . . In The Gene, Mukherjee spends most of his time looking into the past, and what he finds is consistently intriguing. But his sober warning about the future might be the book’s most important contribution.” (Kevin Canfield, San Francisco Chronicle)

“Destined to soar into the firmament of the year’s must reads, to win accolades and well-deserved prizes, and to set a new standard for lyrical science writing. . . . Dr. Siddhartha Mukherjee dazzled readers with his Pulitzer-winning The Emperor of All Maladies in 2010. That achievement was evidently just a warm-up for his virtuoso performance in The Gene: An Intimate History, in which he braids science, history, and memoir into an epic with all the range and biblical thunder of Paradise Lost. . . . Thanks to Dr. Mukherjee’s remarkably clear and compelling prose, the reader has a fighting chance of arriving at the story of today’s genetic manipulations with an actual understanding of both the immensely complicated science and the even more complicated moral questions.”  (Abigail Zuger, New York Times Science Section)

“[The Emperor of All Maladies and The Gene] both beautifully navigate a sea of complicated medical information in a way that is digestible, poignant, and engaging . . . . [The Gene] is a book we all should read. I shook my head countless times while devouring it, wondering how the author—a brilliant physician, scientist, writer, and Rhodes Scholar—could possibly possess so many unique talents. When I closed the book for the final time, I had the answer: Must be in the genes.” (Matt McCarthy, USA Today)

“A brilliant exploration of some of our age’s most important social issues, from poverty to mental illness to the death penalty, and a beautiful, profound meditation on the truly human forces that drive them. It is disturbing, insightful, and mesmerizing in equal measure.”  (Coastal Current)

“Dr Mukherjee uses personal experience to particularly good effect. . . . Perhaps the most powerful lesson of Dr Mukherjee’s book [is]: genetics is starting to reveal how much the human race has to gain from tinkering with its genome, but still has precious little to say about how much we might lose.”  (The Economist)

“As compelling and revealing as [The Emperor of All Maladies]. . . . On one level, The Gene is a comprehensive compendium of well-told stories with a human touch. But at a deeper level, the book is far more than a simple science history.” (Fred Bortz, Dalls Morning News)

“Mukherjee is an assured, polished wordsmith . . . who displays a penchant for the odd adroit aphorism and well-placed pun. . . . A well-written, accessible, and entertaining account of one of the most important of all scientific revolutions, one that is destined to have a fundamental impact on the lives of generations to come. The Gene is an important guide to that future.” (Robin McKie, The Guardian)

About the Author
Siddhartha Mukherjee is the author of The Emperor of All Maladies: A Biography of Cancer, winner of the 2011 Pulitzer Prize in general nonfiction, and The Laws of Medicine. He is the editor of Best Science Writing 2013. Mukherjee is an assistant professor of medicine at Columbia University and a cancer physician and researcher. A Rhodes scholar, he graduated from Stanford University, University of Oxford, and Harvard Medical School. He has published articles in Nature, The New England Journal of Medicine, The New York Times, and Cell. He lives in New York with his wife and daughters. Visit his website at: SiddharthaMukherjee.com

 

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188 of 201 people found the following review helpful.
"We used to think our future was in the stars. Now we know it's in our genes."
By Ash Jogalekar
Genetics is humanity and life writ large, and this book on the gene by physician and writer Siddhartha Mukherjee paints on a canvas as large as life itself. It deals with both the history of genetics and its applications in health and disease. It shows us that studying the gene not only holds the potential to transform the treatment of human disease and to feed the world’s burgeoning population, but promises to provide a window into life’s deepest secrets and into our very identity as human beings.

The volume benefits from Mukherjee’s elegant literary style, novelist’s eye for character sketches and expansive feel for human history. While there is ample explanation of the science, the focus is really on the brilliant human beings who made it all possible. The author’s own troubling family history of mental illness serves as a backdrop and keeps on rearing its head like a looming, unresolved question. The story begins with a trip to an asylum to see his troubled cousin; two of his uncles have also suffered from various "unravelings of the mind". This burden of personal inheritance sets the stage for many of the questions about nature, nurture and destiny asked in the pages that follow.

The book can roughly be divided into two parts. The first part is a sweeping and vivid history of genetics. The second half is a meditation on what studying the gene means for human biology and medicine.

The account is more or less chronological and this approach naturally serves the historical portion well. Mukherjee does a commendable job shedding light on the signal historical achievements of the men and women who deciphered the secret of life. Kicking off from the Greeks’ nebulous but intriguing ideas on heredity, the book settles on the genetics pioneer Gregor Mendel. Mendel was an abbot in a little known town in Central Europe whose pioneering experiments on pea plants provided the first window into the gene and evolution. He discovered that discrete traits could be transmitted in statistically predictable ways from one generation to next. Darwin came tantalizingly close to discovering Mendel’s ideas (the two were contemporaries), but inheritance was one of the few things he got wrong. Instead, a triumvirate of scientists rediscovered Mendel’s work almost thirty years after his death and spread the word far and wide. Mendel’s work shows us that genius can emerge from the most unlikely quarters; one wonders how rapidly his work might have been disseminated had the Internet been around.

The baton of the gene was next picked up by Francis Galton, Darwin’s cousin. Galton was the father of eugenics. Eugenics has now acquired a bad reputation, but Galton was a polymath who made important contributions to science by introducing statistics and measurements in the study of genetic differences. Many of the early eugenicists subscribed to the racial theories that were common in those days; many of them were well intended if patronizing, seeking to ‘improve the weak’, but they did not see the ominous slippery slope which they were on. Sadly their ideas fed into the unfortunate history of eugenics in America and Europe. Eugenics was enthusiastically supported in the United States; Mukherjee discusses the infamous Supreme Court case in which Oliver Wendell Holmes sanctioned the forced sterilization of an unfortunate woman named Carrie Buck by proclaiming, “Three generations of imbeciles are enough”. Another misuse of genetics was by Trofim Lysenko who tried to use Lamarck’s theories of acquired characteristics in doomed agricultural campaigns in Stalinist Russia; as an absurd example, he tried to “re educate” wheat using “shock therapy”. The horrific racial depredations of the Nazis which the narrative documents in some detail of course “put the ultimate mark of shame” on eugenics.

The book then moves on to Thomas Hunt Morgan’s very important experiments on fruit flies. Morgan and his colleagues found a potent tool to study gene propagation in naturally occurring mutations. Mutations in specific genes (for instance ones causing changes in eye color) allowed them to track the flow of genetic material through several generations. Not only did they make the crucial discovery that genes lie on chromosomes, but they also discovered that genes could be inherited (and also segregated) in groups rather than by themselves. Mukherjee also has an eye for historical detail; for example, right at the time that Morgan was experimenting on flies, Russia was experimenting with a bloody revolution. This coincidence gives Mukherjee an opening to discuss hemophilia in the Russian royal family – a genetically inherited disease. A parallel discussion talks about the fusion of Darwin's and Mendel’s ideas by Ronald Fisher, Theodosius Dobzhansky and others into a modern theory of genetics supported by statistical reasoning in the 40s – what’s called the Modern Synthesis.

Morgan and others’ work paved the way to recognizing that the gene is not just some abstract, ether-like ghost which transmits itself into the next generation but a material entity. That material entity was called DNA. The scientists most important for recognizing this fact were Frederick Griffiths and Oswald Avery and Mukherjee tells their story well; however I would have appreciated a fuller account of Friedrich Miescher who discovered DNA in pus bandages from soldiers. Griffiths showed that DNA can be responsible for converting non-virulent bacteria to virulent ones; Avery showed that it is a distinct molecule separate from protein (a lot of people believed that proteins with their functional significance were the hereditary material).

All these events set the stage for the golden age of molecular biology, the deciphering of the structure of DNA by James Watson (to whom the quote in the title is attributed), Francis Crick, Rosalind Franklin and others. Many of these pioneers were inspired by a little book by physicist Erwin Schrodinger which argued that the gene could be understood using precise principles of physics and chemistry; his arguments turned biology into a reductionist science. Mukherjee’s account of this seminal discovery is crisp and vivid. He documents Franklin’s struggles and unfair treatment as well as Watson and Crick’s do-what-it-takes attitude to use all possible information to crack the DNA puzzle. As a woman in a man’s establishment Franklin was in turn patronized and sidelined, but unlike Watson and Crick she was averse to building models and applying the principles of chemistry to the problem, two traits that were key to the duo’s success.

The structure of DNA of course inaugurated one of the most sparkling periods in the history of intellectual thought since it immediately suggested an exact mechanism for copying the hereditary material as well as a link between DNA and proteins which are the workhorses of life. The major thread following from DNA to protein was the cracking of the genetic code which specifies a correspondence between nucleotides on a gene and the amino acids of a protein: the guiding philosophers in this effort were Francis Crick and Sydney Brenner. A parallel thread follows the crucial work of the French biologists Francois Jacob and Jacques Monod - both of whom had fought in the French resistance during World War 2 - in establishing the mechanism of gene regulation. All these developments laid the foundation for our modern era of genetic engineering.

The book devotes a great deal of space to this foundation and does so with verve and authority. It talks about early efforts to sequence the gene at Harvard and Cambridge and describes the founding of Genentech, the first company to exploit the new technology which pioneered many uses of genes for producing drugs and hormones: much of this important work was done with phages, viruses which infect bacteria. There is also an important foray into using genetics to understand embryology and human development, a topic with ponderous implications for our future. With the new technology also came new moral issues, as exemplified by the 1975 Asilomar conference which tried to hammer out agreements for the responsible use of genetic engineering. I am glad Mukherjee emphasizes these events, since their importance is only going to grow as genetic technology becomes more widespread and accessible.

These early efforts exploded on to the stage when the Human Genome Project (HGP) was announced, and that’s where the first part of the book roughly ends. Beginning with the HGP, the second part mainly focuses on the medical history and implications of the gene. Mukherjee’s discussion of the HGP focuses mainly on the rivalries between the scientists and the competing efforts led by Francis Collins of the NIH and Craig Venter, the maverick scientist who broke off and started his own company. This discussion is somewhat brief but it culminates in the announcement of the map of the human genome at the White House in 2000. It is clear now that this “map” was no more than a listing of components; we still have to understand what the components mean. Part of that lake of ignorance was revealed by the discovery of so-called ‘epigenetic’ elements that modify not the basic sequence of DNA but the way it’s expressed. Epigenetics is an as yet ill-understood mix of gene and environment which the book describes in some detail. It’s worth noting that Mukherjee’s discussion of epigenetics has faced some criticism lately, especially based on his article on the topic in the New Yorker.

The book then talks about early successes in correlating genes with illness that came with the advent of the human genome and epigenome; genetics has been very useful in finding determinants and drugs for diseases like sickle cell anemia, childhood leukemia, breast cancer and cystic fibrosis. Mukherjee especially has an excellent account of Nancy Wexler, the discoverer of the gene causing Huntington’s disease, whose search for its origins led her to families stricken with the malady in remote parts of Venezuela. While such diseases have clear genetic determinants, as Mukherjee expounds upon at length, genetic causes for diseases like cancer, diabetes and especially the mental illness which plagues members of the author’s family are woefully ill-understood, largely because they are multifactorial and suffer from weakly correlated markers. We have a long way to go before the majority of human diseases can be treated using gene-based treatment. In its latter half the book also describes attempts to link genes to homosexuality, race, IQ, temperament and gender identity. The basic verdict is that while there is undoubtedly a genetic component to all these factors, the complex interplay between genes and environment means that it’s very difficult currently to tease apart influences from the two. More research is clearly needed.

The last part of the book focuses on some cutting edge research on genetics that’s uncovering both potent tools for precise gene engineering as well as deep insights into human evolution. A notable section of the book is devoted to the recent discovery that Neanderthals and humans most likely interbred. Transgenic organisms, stem cells and gene therapy also get a healthy review, and the author talks about successes and failures in these areas (an account of a gene therapy trial gone wrong is poignant and rattling) as well as ethical and political questions which they raise. Finally, a new technology called CRISPR which has taken the world of science by storm gets an honorary mention: by promising to edit and propagate genes with unprecedented precision - even in the germ line - CRISPR has resurrected all the angels and demons from the history of genetics. What we decide about technologies like CRISPR today will impact what our children do tomorrow. The clock is ticking.

In a project as ambitious as this there are bound to be a few gaps. Some of the gaps left me a bit befuddled though. There are a few minor scientific infelicities: for instance Linus Pauling’s structure of DNA was not really flawed because of a lack of magnesium ions but mainly because it sported a form of the phosphate groups that wouldn’t exist at the marginally alkaline pH of the human body. The book’s treatment of the genetic code leaves out some key exciting moments, such as when a scientific bombshell from biochemist Marshall Nirenberg disrupted a major meeting in the former Soviet Union. I also kept wondering how any discussion of DNA’s history could omit the famous Meselson-Stahl experiment; this experiment which very elegantly illuminated the central feature of DNA replication has been called “the most beautiful experiment in biology”. Similarly I could see no mention of Barbara McClintock whose experiments on ‘jumping genes’ were critical in understanding how genes can be turned on and off. I was also surprised to find few details on a technique called PCR without which modern genetic research would be virtually impossible: both PCR and its inventor Kary Mullis have a colorful history that would have been worth including. Similarly, details of cutting-edge sequencing techniques which have outpaced Moore’s Law are also largely omitted. I understand that a 600 page history cannot include every single scientific detail, but some of these omissions seem to me to be too important to be left out.

More broadly, there is no discussion of the pros and cons of using DNA to convict criminals: that would have made for a compelling human interest story. Nor is there much exploration of using gene sequences to illuminate the ‘tree of life’ which Darwin tantalizingly pulled the veil back on: in general I would have appreciated a bigger discussion of how DNA connects us to all living creatures. There are likewise no accounts of some of the fascinating applications of DNA in archaeological investigations. Finally, and this is not his fault, the author suffers from the natural disadvantage of not being able to interview many of the pioneers of molecular biology since they aren’t around any more (fortunately, Horace Freeland Judson’s superb “The Eighth Day of Creation” fills this gap: Judson got to interview almost every one of them for his book). This makes his account of science sound a bit more linear than the messy, human process that it is.

The volume ends by contemplating some philosophical questions: What are the moral and societal implications of being able to engineer genomes even in the fetal stage? How do we control the evils to which genetic technology can be put? What is natural and what isn’t in the age of the artificial gene? How do we balance the relentless, almost inevitable pace of science with the human quest for responsible conduct, dignity and equality? Mukherjee leaves us with a picture of these questions as well as one of his family and their shared burden of mental illness: a mirage searching for realization, a sea of questions looking for a tiny boat filled with answers.

Overall I found “The Gene: An Intimate History” to be beautifully written with a literary flair, and in spite of the omissions, the parts of genetic history and medicine which it does discuss are important and instructive. Its human stories are poignant, its lessons for the future pregnant with pitfalls and possibilities. Its sweeping profile of life’s innermost secrets could not help but remind me of a Japanese proverb quoted by physicist Richard Feynman: “To every man is given the key to the gates of heaven. The same key opens the gates of hell.” The gene is the ultimate key of this kind, and Mukherjee’s book explores its fine contours in all their glory and tragedy. We have a choice in deciding which of these contours we want to follow.

28 of 28 people found the following review helpful.
The author's biggest success is in weaving a beautiful narrative. Starting with the emotionally-charged personal links to ...
By NJ
Gene is a must-read history book on genetics. Many accounts have been penned on Relativity and Quantum Mechanics, for instance, to make their importance known to the non-professionals. Gene fills the void for the equally important science of Genetics.

The author's biggest success is in weaving a beautiful narrative. Starting with the emotionally-charged personal links to the field to the frequent detailing of personalities of or anecdotes involving famous scientists, the subject is kept 'human'. There are abundant scientific notions to satisfy any reader picking up the book to understand the real subject matter, but not in the general bland fashion of studies-and-conclusions that tend to lose many a lay people.

The book also excels because of the simplicity with which countless exotic concepts are explained. From the notions of introns and exons to the polygenic nature of most phenotypes, the feedback from environment to gene mutation and the massive role played by non-gene factors in most our traits, the author uncovers a staggering number of interesting findings in a highly understandable manner.

Amid all this, the author keeps the focus on various moral and ethical issues. The narrative is laced with historic episodes of all kinds to emphasise the criticality of the questions confronting us as we make more scientific progress. For example, the book beautifully explains the dangers of genetic modification - which tantamounts to replacing natural selection with human selection. As professionals or parents seek to weed out certain deformities, there are genuine risks of us eliminating some important evolutionary traits mainly out of ignorance of how genes really work at this stage but also out of their possible other utilities in long future.

The biggest flaw of the book is insufficient focus on latest developments and near absence of what this science is capable of solving in coming decades. The optimists out there expect congenitally blind people to see and cancers all cured. Some expect us to be able to grow a third arm if we so choose or re-create a dinosaur in a century or so. Genetics is combined with nanotechnology, cryonics, robotics etc by many fantasizers to come up with even more fanciful theories. The author could have added a chapter or two to discuss gene therapy and other recent experiments to complete the excellent work further.

That said, a remarkable book in all aspects.

3 of 3 people found the following review helpful.
A six star book
By Brian Hunt
Dr. Mukherjee’s earlier book, The Emperor of All Maladies, a book on cancer, is on my list of all-time top ten books. His new book is also at or close to the same level: It is a six star book on a scale of one to five. Dr. Mukherjee writes beautifully and with extraordinary clarity on very difficult technical subjects, moving effortlessly from complex, detailed biochemical processes to enormous ethical issues affecting our very future as a species.

This book is a masterful story of the history of genetics, starting from Mendel and Darwin right up to the latest gene modification processes; it is the clearest and most comprehensive account that I have read. But it is much more because Dr. Mukherjee introduces us to human dramas involving both researchers and patients. He also sets out the moral issues of our growing power to change the genomes not only of living people and embryos but also of descendants who have yet to be conceived.

Woven through the book is the personal story of Dr. Mukherjee’s family, which has a history of schizophrenia. Two of Dr. Mukherjee’s uncles and one of his first cousins suffered the devastating effects of schizophrenia and he lives with the possibility that he, too, may someday be struck down and/or have passed the disruptive genes on to his children.

This is not a lightweight book but I found it easy to read, thanks to the elegance of the writing, and totally gripping. As Dr. Mukherjee makes clear, we stand on the brink of a genetic future that has great promise and also great peril. This is an important book and deserves to be widely read.

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The story of the alphabet, by Edward Clodd

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

  • Sales Rank: #12131366 in Books
  • Published on: 1938
  • Number of items: 1
  • Binding: Hardcover
  • 11 pages

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